Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Jan victors
The Expulsion of Hagar and Ishmael (mk33)

ID: 24684

Jan victors The Expulsion of Hagar and Ishmael (mk33)
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Jan victors The Expulsion of Hagar and Ishmael (mk33)


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Jan victors

Dutch Baroque Era Painter, ca.1619-1676 was a Dutch Baroque painter that focused mainly on painting subject from the Bible. He was a student of Rembrandt van Rijn.   Related Paintings of Jan victors :. | The Expulsion of Hagar and Ishmael (mk33) | Abraham and the three Angels (mk33) | Jakob segnet die Sohne Joseph | Young woman at a window | Foseph recounting his Dreams (mk33) |
Related Artists:
Charles Poerson
French Painter, 1609-1667 He studied under his own father Charles Poerson (himself a former pupil of Simon Vouet) and under Noël Coypel. His notable works include "Dispute Between Neptune and Minerva" at Chateau de Fontainebleau, "Union of the Academie royale de Paris and the Academy of Saint Luke in Rome" at Versailles and participation in the decoration of the Hotel des Invalides. He was buried in San Luigi dei Francesi, Rome, in a tomb attributed to the sculptor Pierre de L'Estache, who later became another director of the Academy.
Nicolaes van Helt Stockade
(1614-1669), was a Dutch Golden Age painterAccording to Houbraken, Joost van den Vondel made a poem about him. According to the RKD he became a master in the Antwerp Guild of Saint Luke in 1646 and worked on the city hall of Nijmegen and the Amsterdam City Hall.
John Francis Murphy
(December 11, 1853 - January 30, 1921), American landscape painter. He was born at Oswego, New York and first exhibited at the National Academy of Design in 1876, and was made an associate in 1885 and a full academician two years later. He became a member of the Society of American Artists (1901) and of the American Watercolor Society. At first influenced by Wyant and Inness, after 1900 he attacked the modern problems of light and air, thus combining the old and new theories of landscape painting. His chief characteristics are extreme refinement and charm, poetic sentiment, and beauty of surface. His composition is simple and his rendering of soil unique. A past master of values, he preferred the quiet and subdued aspects of nature. He received numerous awards, including a gold medal at Charleston (1902) and the Inness medal in 1910.






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